Showing posts with label academic conferences. Show all posts
Showing posts with label academic conferences. Show all posts

Wednesday, May 28, 2008

Back at home in the South

I'm back--a bit jet lagged, especially after taking a red-eye flight. But the title of my post is true and accurate: I am back at home in the South.


[I live in one of these "red" states--although perhaps in the next election, one or more will turn blue? Actually, I got this map from the website Carbon Tax Center. Check it out--especially if you are interested in environmental issues and ways to offset our every increasing carbon footprint]

All in all, the trip was wonderful, although this was the first time that I traveled to California with "Southern Man" and seeing familiar things through the eyes of someone else, especially an intimate someone else, is always a good exercise in reality checking.


Case in point: my rosy colored portrait of California as this Promised Land, particularly a live-action version of Disney's "It's a Small World," as a multicultural/multiethnic/multiracial paradise. We had some interactions and one pretty harrowing bus incident that threw this romanticized vision out the window. I'll write about it later--it's a bit lengthy and complicated, and truth be told, I'm still trying to process parts of it.

What I will leave you with, dear readers, is a small anecdote that happened on my flight into California. We were on Continental Airlines, and I have to commend Continental to be one of the last if not THE last airline in the continental U.S. that will serve food gratis to its passengers. We were en-route during the dinner hour and got box sandwiches (turkey or ham) and the requisite beverage. Now, I always get orange juice as a help to the dehydration of flying but I noticed that the flight attendant was handing people soda cans that had Chinese script on them--and as she got closer, I could see that it seemed to be some kind of tie-in with the Beijing Olympics--you know, Sprite and Coca-Cola cans with the Beijing Olympic symbol and the writing in Chinese. Except I think these cans were actually meant for their Asian airline route because everything was in Chinese: the ingredient list, the advertising, the processing plant.

Apparently a few passengers were skeptical about the contents of the cans--sure, it looks like the classic Coca-Cola can--it says "Coca-Cola" in English, but everything else is in this strange foreign script?! How will I KNOW that I'm getting a real Coke? And the flight attendant wasn't helping matters much--especially when she apologized for the cans--acknowledged that the soda tasted different because it was bottled "over there" and that they were Japanese and Mexican sodas.

WTF???!!!

When she approached my row she had apparently grown so frustrated over these foreign soda cans that she got another flight attendant to help her swap out these offending cans with American ones (the foreign cans were put into a lower shelf and then who knows what was going to happen to them?). I actually told both flight attendants that there was nothing wrong with the sodas--they were simply cans with Chinese script on them and were promoting the Beijing Olympics and furthermore, that I WANTED a soda can with the Chinese writing. The first flight attendant, the one who had the cans banished, told me that the sodas were Japanese and Mexican. And I said, "Well, no they are Chinese." And she said, "Well, I can't sell them to people; they taste different because they were bottled over there in Mexico, but if you want one, here you go."

WTF???!!!

It seems fascinating to me that this woman, even after I confirmed that the script was Chinese and not Japanese (I may not be able to read Chinese but after years of growing up in a Chinese American home and having grandparents live in Chinatown, I can recognize Chinese script) still insisted that the cans were somehow Mexican, and THAT was bizarre because there was NOTHING resembling Mexican references let alone Spanish on these cans. It would seem, perhaps simplistically, that for this flight attendant, anything "foreign" and perhaps "distasteful" must come from south of the border.

Tuesday, April 15, 2008

Conference...an academic's version of vacation

So tomorrow I'm getting on an American Airlines flight *hopefully* and leaving for a conference. So this means that I may not be blogging on a regular basis (although I'm sure this conference will provide plenty of fodder for this blog, especially since I'll be immersed in all things Asian American since this is the big "A" conference for me--A as in #1, A as in Asian, A as in ... America?)

Anyway, in honor of the fact that I will soon be immersed in a world of jargon and a sea of dark haired people...

[OK, let me be really frank: I've already talked about feeling tired, sometimes, exhausted, sometimes, when I recognize that I'm the "only one" in a room -- which happened AGAIN when I went to a Southern U. meeting of about 50 faculty/staff/students from around the university and I was the ONLY Asian face in this "important meeting" (sigh). So one of the things I'm looking forward to by going to this conference is that I will NOT be the only one: not the only one working on Asian American issues, not the only one interested in issues of social justice related to Asian American populations, not the only one who has read the latest journal article on Asian American literature, and not the only Asian American person in the conference hotel, although I also want to note that there are many fine academics who are NOT Asian American--like Professor X who gave the wonderful Japanese American Internment talk. So for any of you more conservative readers out there, I don't even want to HEAR you tell me that this is a segregationist/racist conference. Personally, it's a place I get to re-charge once a year--to be with folk I share a shorthand with--and quite frankly I really need it, because damn it, I get tired of the face staring back at me in the mirror being the only Asian face I see most days.]

Rant over.

What was I saying?

Oh yeah. In honor of entering into the land of academic jargon, I thought I would actually write this post dedicated to Asian American literature (a topic near and dear to my heart), specifically picking up a comment thread from the discussion I started on Ha Jin's novel A Free Life about Asian Immigrants becoming Asian Americans.

One of the commenters expressed a disdain for Jin's latest novel--feeling like it rehearsed worn out themes already expressed in the canon of Asian American literature. I don't know that I entirely agree with this statement, but I understand where the comment is coming from. Because Asian American literature is so often associated with "THE IMMIGRANT EXPERIENCE," as if those are the ONLY types of experiences that Asian Americans are having or are capable of relating, or, perhaps more accurately, are getting publishing contracts. In other words, there seems to be a certain "vogue" for Asian American novels that depict a type of "immigrant" experience.

Case in point: This past Sunday's New York Times book review had an ad for a book I've plugged in the right sidebar of this blog (under "Jennifer's Current Book Recommendations"), Free Food for Millionaires, by Min Jin Lee.

And in the ad, there is a quote from a reviewer (who is unnamed) that reads:

"Not since Jhumpa Lahiri's The Namesake has an author so exquisitely evoked what it's like to be an immigrant..."

Now, I have to tell you--this is NOT what I think about when I think about this novel. Because the main character, Casey, who we follow for 800 pages, is a first-generation American born Korean American woman, whose life follows the plot of a sprawling Russian or English novel. I did not see resonances with The Namesake, and can only conclude that this reviewer wanted to compare two Asian American immigrant experiences together (I mean, why not compare it to Nicole Krause's The History of Love, which also deals with multiple immigrant experiences (Russia, Poland, England, Latin America), or Jeffrey Eugenides' Middlesex, which talks about the Greek American immigrant experience? Must Asian immigrants always be compared against one another?)

It would seem that the only way you can "sell" an Asian American book is to draw upon the typical tropes of "Asian-as-foreigner" which means "Asian-as-immigrant," which brings me full circle back to my point in the April 12 post: when does an immigrant actually become a citizen? When does an Asian immigrant, in particular, become American? And when will Asian American writers be free to write whatever kinds of stories they want to write about, with whatever cast of characters they want to choose to write about--without invoking the typical tropes of immigration or generational or cultural conflict?